BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
CALSCALE:GREGORIAN
PRODID:-//WordPress - MECv6.5.4//EN
X-ORIGINAL-URL:https://fxroth.com/
X-WR-CALNAME:François-Xavier Roth
X-WR-CALDESC:Conductor
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-PUBLISHED-TTL:PT1H
X-MS-OLK-FORCEINSPECTOROPEN:TRUE
BEGIN:VEVENT
CLASS:PUBLIC
DTSTART;TZID=Europe/Paris:20210920T200000
DTEND;TZID=Europe/Paris:20210920T220000
DTSTAMP:20210624T142000
UID:MEC-e8fd4a8a5bab2b3785d794ab51fef55c@fxroth.com
CREATED:20210624
LAST-MODIFIED:20210624
PRIORITY:5
TRANSP:OPAQUE
SUMMARY:GÜRZENICH ORCHESTER KÖLN – BRAHMS / BRUCKNER
DESCRIPTION:GÜRZENICH ORCHESTER KÖLN\nBRAHMS, Double Concerto a Minor for Violin, Violoncello and Orchestra op. 102 (1887)\nBRUCKNER, Symphony No. 4 E flat Major, WAB 104 »Romantic« (1881)\nTorsten Janicke, Violin\nBonian Tian, Violoncello\nFrançois-Xavier Roth, Conductor\nIt’s a reminiscence of the Gürzenich Orchestra’s great tradition of embracing novelty: The Double Concerto by Johannes Brahms, a monumental late work, was premiered in Cologne in 1887. The soloists at the time were the cellist Robert Hausmann and the famous violinist Joseph Joachim. The latter had great appreciation for the piece, however Theodor Billroth, a music enthusiast and one of the most renowned surgeons of the 19th century, judged it with bitter cynicism, calling it a »grim old man’s work«. In placing two soloists in front of the orchestra, Brahms quotes baroque and early classical traditions. Though it remains at that, for Brahms develops the Double Concerto in a grandiose, closed symphonic form.\nAnton Bruckner’s Symphony No. 4 marks the continuation of François-Xavier Roth’s Bruckner Cycle, the »Romantic« quite possibly being Bruckner’s most popular symphony.\n
URL:https://fxroth.com/events/gurzenich-orchester-koln-brahms-bruckner-2/
ORGANIZER;CN=OPER KÖLN:MAILTO:marketing@oper.koeln
CATEGORIES:Performance
LOCATION:KOELN, Philharmonie
ATTACH;FMTTYPE=image/jpeg:https://fxroth.com/wp-content/uploads/FX-ROTH-1.jpg
END:VEVENT
END:VCALENDAR
